Valkyrie/ starring Tom Cruise/ United Artists 2008.
It’s a good thing that the major motion picture studios like to release new films on Christmas day. From my own personal experience, I have come to realize that once you get disappointed by the gifts that you received on Christmas morning, you have nothing to do for the rest of the day but to stew in anger. Apparently this is also same experience that is shared by the public at large because the theater I went to see “Valkyrie” on Christmas day was crowded beyond belief with all sorts of sullen looking people. (Yes, angry looking guy ahead of me in the concession line, you bought your girlfriend an 24 carat diamond necklace and she only bought you a pair of socks. I feel your pain.)
Let me be honest with you, my faithful reading several, the only reason I went to go see “Valkyrie” was not because all the german officers were played by british actors and that the United Artists saved money in the wardrobe department on this film because I’m sure that all these former charges of the british public school system already had their own nazi uniforms at home! (If you don’t get this joke, then you know nothing of the British public school sytem.)
I didn’t go see this film because I think the topic of WW2 is still interesting as subject matter for any form of entertainment medium. (I believe that the topic of WW2 has become, in recent years, completely worn out. Sort of like the way the subject of Vietnam was worn completely the fuck out by the entertainment industry 20 years ago.)
No, I went to see Valkrie for this sole reason: I somehow had the gut feeling that there is, somewhere out there, a specialized sect of gay s&m enthusiastswho specialize their fantasies around the image of Tom Cruise wearing a nazi uniform. (I understand appeal of this image completely: because my fantasy image is that of Tom Cruise’s ex-wife, Nicole Kidman, wearing a nazi uniform.) And now, with the release of “Valkyrie,” this gay s&m sect’s days of photo shopping Tom Cruise’s head unto old photographs of Himmler are now over!
“Valkyrie” wasn’t totally useless as a form of escapism based entertainment, however, Director Bryan Singer added several cinematic stylistic touches from the 1920’s school of German Expressionism to the film. (Such as the phonograph machine playing Wagner skipping during the air raid scene. Or the cut to the close up of a mosquito being burned out by a cigarette.) I know that these touches completely went over the heads of the majority of the film going audience, but I was glad they were thrown in there. However, there weren’t enough of these touches in the film to maintain my interest.
In short: I strongly suggest that you save your money and wait to see “Valkyrie” until it makes it’s premiere on the basic cable tv channel, TNT.
jareddriskill