This week in class we finally reached that remarkable era of film history, “Hollywood’s Golden Era.” Which, coincidentally enough, began when the major American motion picture studios self instituted the Production Code to provide a “wholesome sheen” to their product, lest the Federal Government began snooping its nose around in their buiness and diluting their porduct. The self insitution of the Prodution Code was a smart move, once you consider how well the government runs the DMV…
One can’t think of Hollywood’s Golden Era and “wholesomeness” without thinking about the work of Frank Capra, who directed tonight’s feature film: “Mr Deeds Goes To Town.” The premise of this film is: what if some small town Howard Moon-ish ( my weekly Mighty Boosh reference) loser inherits 20 million bucks and is inexplicably sent to New York city to handle his new found fortune, where everyone, even the girl he loves, tries to prove the popular adage: “a fool and is money are soon parted” by stating that his small town, homespun personality quirks are the result of some sort of insanity. With this senario in place, hilarity tries to ensue.
While thinking about this film, I do believe that Capra was wise to have chosen Gary Cooper to star as the title character in this film because Cooper’s tall, thin body frame and “aw shucks” demeanor sticks out like a symbolic sore thumb over the short, dark, cynical city folk that he encounters. Which is why I think the semi-recent remake of this film, starring Adam Sandler was such an failure: he looked too much like the greedy, corporate city slickers he was supposed to be diametrically opposed to. (That and the fact that the remake was totally useless didn’t help much either.)
Also, I feel that “Mr Deeds Goes to Town” was clever piece of cleverly crafted pro-New Deal propaganda. The idea that someone (the government) is NOT insane for blowing tons of money ( tax dollars) in a effort to help those who are down and out (new deal programs) is kinda hard to swallow if given to you straight up. Being forced to be liberal with your moolah is always a hard sell. I wonder if there were a recent movie release that was loosely related to the recent $750 billion banking crisis bailout, people wouldn’t have complained about it as much. Hmmm…
next week in the syllabus: the sequence shot and Jean Renoir’s “Grand Illusion!”
jareddriskill

