Long time members of my faithful reading several will recall that last spring I took a post modern film history class in order to A: fulfill an art elective requirement and B: to have a important piece of post modern film history to review each week on this website. It turns out that the class I took last spring was part two of a two part course and… the fact that I needed an extra class to have enough credit hours to be considered as a full time student in the eyes of the financial aid department this semester, I decided, in typical jareddriskill fashion, to take part one of this course after having already successfully completed the second part. Let’s get this party started!
But some important background infomation first: way back in the halcyon days of 1824, when P.M. Roget developed the flawed theory of “Persistence of Vision” which, in turn, led to such motion image novelties such as the Thaumtrope, Zoetrope and the Praxinascope. It wasn’t until after the invention of the photograph, however, where the first real step towards motion pictures ( aka movies ) took place, as usual with all great innovations, with a simple drunken bar room bet. The bet was this: Leland Stanford won a cool 25,000 smackeroos by proving, with the help of series photography, that there is a moment during a horses’ gallop that all 4 of it’s hooves are all up off the ground.
Somewhere later on, we also find out that Thomas Edison rips off ideas from several innovative Frenchmen to create the first motion picture studio where he made such films as “Seminary Girls” which was the girls gone wild of the 1890’s. ( Let’s not forget the ladies, and some of you fellas out there, with the short film called “Sandow” which featured Sandow, the strong man, showing off his muscles and his centuries ahead of his time porn moustache.)
Films got longer and longer (up to a whopping 10 minutes or so at this point in history) which leads us to the first of our two headlining films of the evening: ” A Trip To the Moon” by Georges Melies, which coincidentally, is considered to be the first science fiction film ever committed unstable nitrate celluloid film stock. (Say that 3 times fast!) The film while providing great entertainment, is also forward thinking enough to foretell the methods employed for space travel later on in the 20th century: travel in a capsule and return to earth by landing said capsule in the ocean.
Everyone has not seen “A Trip To the Moon” but most people have seen clips of it ( especially the part where the space capsule lands right smack dab in the eye of the man in the moon.) And I do believe that The Smashing Pumpkins used the plot and set design for one of their music videos back in the day. Despite the stigma that is the Smashing Pumpkins, “A Trip To The Moon” is also one of the most visually imaginative films ever made. Can you believe this entire film was created in a studio made entirely of glass?
While our first feature was visually imaginative and innovative, our second feature, “The Great Train Robbery” by Edwin Porter, was really fucking dull. But it was more crisply filmed! (Or at least the copy I saw was better preserved than the copy of “A Trip To The Moon” that I saw.) As the title implies, some robbers rob a train in rather boring detail and some less interesting looking “action” sequences takes place. The only interesting thing about the “Great Train Robbery” is the last shot, which is of a cowboy firing his gun right into the lens of the camera.
Don’t worry folks, the reviews will get better and shorter as the semester drags on!
next week in the syllabus: D. W Griffith and the “Musketeers of Pig Alley!” (among others)
jareddriskill