I know last week I said that the syllabus read that this weeks movie was called “Bicycle Thieves,” but the subtitle of this Italian neorealist film said “Bicycle Thief.” Hmm. I have always heard this film being referred to as “Bicycle Thief,” but my film history professor insists on calling it “Bicycle Thieves.” Which could be an appropriate title for this film, but it also spoils the dramatic climax. So “Bicycle Thief ” it is.
Having eerie similarities of that of modern day Iraq, though without the US military occupation and a radical militant insurgency, post WW2 Italy was bleak desolate place with little or no hope with it crippling combination of high unemployment, crushing poverty and third world conditions. The Bicycle Theif follows the exploits of the Ricci family, particularly the father, Antonio and son, Bruno, whose very survival depends on Antonio owning a bicycle, which as the title of this film implies, is stolen while Antonio is at work one day pasting up posters of Rita Hayworth (?) around the city of Rome and the subsequent quest by Antonio and Bruno to recover the bicycle.
The plot sounds trival and insignificant to the viewer (and indeed to any other secondary character in the film) but to the Ricci family, recovering the bicycle is a matter of life and death. Once you realize this fact, however, the viewer becomes drawn into the plot and secretly desires for the precious bicycle to be recovered.
Normally, I usually discount movies for having children in leading roles, but the young lad who played the son, Bruno, was probably the best child actor like ever. To misquote that infamous Bill Clinton line, his performance made me “feel the Ricci’s family pain.”
Which, incidentally, was the thrust behind Italian Neorealism cinema: to discuss and cover realistic social issues that faced post WW2 Italy. The end scene of “Bicycle Thief” really drove the social issue point home with a brokenhearted Antonio and Bruno blending in with the exiting crowd from a Modena football game. The Ricci’s world-shattering problem seemingly being considered as nothing but insignificant to other people in the crowd, who themselves, no doubtly, have world shattering problems of their own.
Wow. Bravo!
next week on the syllabus: Japanese Cinema and Rashomon!
jareddriskill