Coliseum, Young Widows, Cloak/Dagger, Prideswallower
Camel Club, Richmond Virginia, May 20th, 2007
It’s odd feeling going to a show where you don’t know who any of the bands are. You can be either pleasantly surprised or feel totally ripped off. When this occurs I just pretend that I am anthropologist who is studying hardcore punk rock. Especially now that I’m huddled in the corner taking notes throughout the show.
I was pleasantly surprised to see that the Camel had gotten their noise problems resolved with the radio station located above them (see review of the Todd/Tigershark/ Hexmachine show in the concert review archives.) I have to say, now that I have been there, I really like the Camel Club. It’s within a reasonable walking distance from my house and this is the first time I have been to a club where the air conditioning system isn’t a sick, cruel, distant memory. There’s also seems to be a no smoking policy, which I sort of enjoy, so it’s no more coming home from shows smelling like a cigarette factory and other’s people’s B.O. for me!
If there is one problem I can forsee with The Camel is that it also functions as an art gallery. Not that there is nothing wrong with that, mind you, but one day you just know that someone is going to “accidentally” damage an expensive piece of art and that might put an hamper on future shows. It’s hard enough for bands to find places to play these days, especially when a venue closes over something really stupid.
As always, I arrived way early for a show that started an hour or so late. I didn’t feel too sociable tonight so I brought a book along with me to pass the time away while enjoying the air conditioning system. I did find out that 3 of the 4 bands playing tonight were from Louisville, Kentucky so I was kind to them if I ran into any of the members.
Prideswallower were the first band up. Imagine Hammerhead with the guitar feedback and dynamics of the Melvins. I’m sure glad that there are a very large number of bands today that are heavily influenced by Hammerhead and The Melvins. (Man, you just don’t know.) You’d think there would be a Law of Diminishing Returns thing going on, but it hasn’t happened yet. I suppose I haven’t reached my saturation point for bands influenced by Hammerhead and The Melvins yet. I hope that it doesn’t happen anytime soon.
Richmond’s own, Cloak/Dagger were next. Before they played, I wondered if they gotten their band name from the two obscure Marvel comics characters or from that really bad 1980’s Dabney Coleman film. Inquiring minds ( i.e. me) really wanted to know, but I was too lazy to talk to them about it. Cloak/Dagger plays early 80’s style hardcore punk rock. Well, this was a treat!
I know you heard of bands that wear their hearts on their sleeves, well, Cloak/Dagger wear their band influences on their t-shirts! The singer dude wore a Black Flag t-shirt. Bass player wore a Rocket From The Crypt t-shirt. Drummer guy wore a old school Corrosion of Comformity t-shirt. (Hell yes!) But, the guitar player wore just a plain white t-shirt, leaving the audience members to mentally fill in the last band influence. So I chose… Poison! (Ha ha, just kidding.) My mental image was that of a bootleg “Group Sex” era Circle Jerk t-shirt. Fuck yeah!
Young Widows played chaotic hardcore punk rock in the vein of Dillinger Escape Plan and Spread The Disease. But with tribal sounding drum rolls and without the raspy death metal vocals (which, to me, is an improvement.) The drummer dude looked a hell of a lot like me, the poor fella, at least he can claim he’s in a kick ass band whereas I only have this website…
Coliseum, like all the other out of town bands tonight, were a 3 piece combo. I suppose there is a law in Losuiville, Kentucky that says all kick ass bands from that city can’t have more than 3 members in it. (Hey, you never know!) They were loud, fast and thrashy, kinda like what Eyehategod would’ve sounded like if they were strung out on speed instead of heroin. (That, my friend, is what I consider a compliment.) The drummer had his drum kit set up close to the ground while he played. Hey, if it helps him to rock out harder, all the power to him.
I was more than glad when the show ended at 10pm. Not because I thought the bands were terrible. (They weren’t.) But because it was Sunday and I could go to bed at my regular time so I could go to work, bright and early, on Monday morning. That’s what George Orwell would call “Double Plus Good.”
jareddriskill